Bernard Leach
Title: Bernard Leach
Author: Edmund de Waal
Format: Paperback
Publisher: Tate Gallery Publishing
ISBN: 1-85437-227-0
Language: English
Pages: 80
Dimensions: Approximately 24 x 19 cm
Publication Date: 1997
Genre: Non-Fiction, Art Biography
Condition: Very Good
Description:
This book provides a critical overview of the life and work of Bernard Leach, a pre-eminent artist-potter of the twentieth century. It explores his art and influences, placing him alongside his contemporaries in St Ives and beyond. Leach spent twelve formative years in Japan before returning to England in 1920 to set up a studio in St Ives. His influence on the growth of the studio-pottery movement, both in Japan and the West, has been profound.
Title: Bernard Leach
Author: Edmund de Waal
Format: Paperback
Publisher: Tate Gallery Publishing
ISBN: 1-85437-227-0
Language: English
Pages: 80
Dimensions: Approximately 24 x 19 cm
Publication Date: 1997
Genre: Non-Fiction, Art Biography
Condition: Very Good
Description:
This book provides a critical overview of the life and work of Bernard Leach, a pre-eminent artist-potter of the twentieth century. It explores his art and influences, placing him alongside his contemporaries in St Ives and beyond. Leach spent twelve formative years in Japan before returning to England in 1920 to set up a studio in St Ives. His influence on the growth of the studio-pottery movement, both in Japan and the West, has been profound.
Title: Bernard Leach
Author: Edmund de Waal
Format: Paperback
Publisher: Tate Gallery Publishing
ISBN: 1-85437-227-0
Language: English
Pages: 80
Dimensions: Approximately 24 x 19 cm
Publication Date: 1997
Genre: Non-Fiction, Art Biography
Condition: Very Good
Description:
This book provides a critical overview of the life and work of Bernard Leach, a pre-eminent artist-potter of the twentieth century. It explores his art and influences, placing him alongside his contemporaries in St Ives and beyond. Leach spent twelve formative years in Japan before returning to England in 1920 to set up a studio in St Ives. His influence on the growth of the studio-pottery movement, both in Japan and the West, has been profound.